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	<title>Marine Penhouet</title>
	<link>https://marinepenhouet.com</link>
	<description>Marine Penhouet</description>
	<pubDate>Tue, 23 Apr 2024 13:19:16 +0000</pubDate>
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		<title>Front page copy</title>
				
		<link>https://marinepenhouet.com/Front-page-copy</link>

		<pubDate>Tue, 23 Apr 2024 13:02:27 +0000</pubDate>

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&#60;img width="1191" height="826" width_o="1191" height_o="826" data-src="https://freight.cargo.site/t/original/i/0a2a38a34b110152061f8433a5673be40f13dbf04b0c873f90fab3e5cd70dd95/Paradiselostscanneweb.jpg" data-mid="209566492" border="0"  src="https://freight.cargo.site/w/1000/i/0a2a38a34b110152061f8433a5673be40f13dbf04b0c873f90fab3e5cd70dd95/Paradiselostscanneweb.jpg" /&#62;
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︎︎︎

MAINTENANCE
	
	


	
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		<title>à propos copy</title>
				
		<link>https://marinepenhouet.com/a-propos-copy</link>

		<pubDate>Tue, 23 Apr 2024 13:19:16 +0000</pubDate>

		<dc:creator>Marine Penhouet</dc:creator>

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	Marine Penhouët (b.1989) is a French pluridisciplinary artist living and working in Brussels.
The artist creates mixed media artworks, paintings, drawings, prints and installations. By referencing relics of the past, romanticism, psychedelia and symbolism, she touches various overlapping themes and strategies. Several reoccurring subject matter can be recognized, such as the relation with popular culture and bygone chronicles. Her imagination travels back in time through repetition, deconstruction, collages and with the investigation of the process itself what defines a subjective present. Her mixed media artworks establish a link between the landscape’s reality and that imagined. By exploring the concept of the landscape in a nostalgic way, she creates work through labour-intensive processes which can be seen explicitly as a personal exorcism ritual. Her artistic process is based on an archaeological protocol between method and desire. She investigates the dynamics of images including the historic imprint. She reveal the remembrance of the past to keep awake the future by highlighted the importance of the dialectic. She manipulate those thoughts in installation, often made in-situ, where interact her artefacts made of mixed media as fetishes. Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination. What really makes the sound of an image when we close our eyes? Valérie Jacques


archive:‘cos paradise is based on lies, solo show Pinguin artist run space, Brussels 2024 

Between the Trees (My Little N.D.E.)1
I was in a half-sleep state. &#38;nbsp;That particular state of drowsiness where brain activity, in an unprecedented and opaque way, connects real and imaginary elements: the irregular rhythm of the sleeper’s breath, external soundscape, distant memories, visual hallucinations, recent events, and things never experienced. &#38;nbsp;
These serene and hypnotic combinations2—columns of the Greek temple in the Valley of Agrigento, contradictory thoughts, incorporated incidental details, reclining bodies—appeared entirely rational while being absolutely detached from logic and materiality. 
&#38;nbsp;I was lying on dry grass, on an abandoned green-purple checkered, embroidered fabric3. In that drowsy state, typical of the deep unease of the living, these things were sluggishly and substantially chattering in my smoke-screened brain, when an indescribable sensation, dark and magical, came to forever propel my reverie into the liminal space of that hypnagogic state, that between-worlds realm from which I was suddenly withdrawn, depriving this dream of all possibilities of detailed narrative forever. I was in that half-sleep state when, under this unfamiliar sensation, my eyes opened, capturing fragments of tangible reality: beams of light filtering through the deep green foliage of the forest, particles of dust in the summer light... Yet, in what seemed like an awakening, between the traces and shadows, I saw my own body moving. 
&#38;nbsp;My squinting eyes, dazzled by the fluorescent light, scanned the luminous tunnel in which my ghostly silhouette walked. At the very end, I glimpsed a tiny entity, shapeless, unfinished. Above it, a white cloth4 began to flutter. In the breeze it created, my eyes5 began to glisten, fresh tears flowing into the hollow of my hands, and the entity came to quench its thirst. &#38;nbsp;
For a moment, I caressed it. The entity6 nestled against me. &#38;nbsp;On its forehead was inscribed "Meta," and the "a" faded away. &#38;nbsp;My eyes closed: details lost, combinations forgotten, truths. Between my lashes and in the haze, I saw again: &#38;nbsp;the columns, clouds7 of silver bats, Meta in the valley. A fine8 blade fossilized in a rock, the bus at the stop, and all their hyper-zoomed faces. &#38;nbsp;Fragments of thoughts9 accumulated in my head: &#38;nbsp;“Death is nothing, for as long as we exist, it is not, and when it is here, it is us who are no longer... The world is a representation... Life is a dream... We live in the oblivion of our transformations.” &#38;nbsp;An eternity unfolded. &#38;nbsp;Columns, Bats, Meta once again. My eyes in &#38;nbsp;the valley of tears began to cry anew. Clear, pink, waxy pearls. In the smoke of ideas and memories, between obsessions and dreams: Meta stretched against my heart. Fleeting butterflies danced above the corridor. &#38;nbsp;
Icy water on my face10. &#38;nbsp;
I felt more alive than ever
. &#38;nbsp;And in the darkness, a red stone gleamed.Julia Huet Alberola


 &#38;nbsp;___Footnotes 
1 Near Death Experience &#38;nbsp;
2 After Life, laser, graphite, and charcoal on paper, 2019-24 &#38;nbsp;
3 Lucky, embedded textile, suture thread, LED, and zinc, 2024 &#38;nbsp;
4 La vallée des chauves souris (1&#38;amp;2)*, hand-colored silver prints and lead, 2024 &#38;nbsp;
5 Les yeux de lucy, raw clay, beeswax, and beads, on a black metal base, 2024 &#38;nbsp;
6 The golem is a mystical figure that refers to the oldest Kabbalistic tradition.The first artificial creature, made of clay, shapeless and unfinished. According to legend, an inscription "Emet" (Truth) was engraved on its forehead. One day, the first letter faded, and the word became "Met" (Death), returning the artificial being to dust. 7 Dance Macabre, diptych, Chinese ink, graphite on paper, and glass engraving, 2017 &#38;nbsp;
8 Lucrèce, sand-cast sculpture, tin, and semi-precious stones, 2024&#38;nbsp; 9 From an interview with philosopher Françoise Dastur conducted by JC Poizat for the preface of Le Philosophoire, La mort, 45 (2016) &#38;nbsp;
10 Twilight Sleep, painting on wood and objects, 2023
&#38;nbsp;</description>
		
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		<title>crying for yesterday, 2015</title>
				
		<link>https://marinepenhouet.com/crying-for-yesterday-2015</link>

		<pubDate>Mon, 28 Sep 2020 16:11:04 +0000</pubDate>

		<dc:creator>Marine Penhouet</dc:creator>

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		<description>
	&#60;img width="2164" height="2163" width_o="2164" height_o="2163" data-src="https://freight.cargo.site/t/original/i/1b9357f27b7b7a9a22ef1439802987a6f8d58cb90bd47f904995d1bdfd7e3c99/DSC_1532.jpg" data-mid="83996310" border="0"  src="https://freight.cargo.site/w/1000/i/1b9357f27b7b7a9a22ef1439802987a6f8d58cb90bd47f904995d1bdfd7e3c99/DSC_1532.jpg" /&#62;
Crying for yesterday
Techniques mixtes
36x36x10cm, 2015
Mixed media 36x36x10cm, 2015
collection privée
	&#60;img width="1013" height="671" width_o="1013" height_o="671" data-src="https://freight.cargo.site/t/original/i/41a2033ec75a7273fbaba7e5b91daab45ab111be217cdef78b6277b68a83b80a/11053864_10152949430436557_6693903861576863940_o.jpg" data-mid="83995887" border="0"  src="https://freight.cargo.site/w/1000/i/41a2033ec75a7273fbaba7e5b91daab45ab111be217cdef78b6277b68a83b80a/11053864_10152949430436557_6693903861576863940_o.jpg" /&#62;
Vue d’exposition, Furiosité, 2015&#38;nbsp;
commissariat Julie Crenn, Galerie F. Lacroix, Paris
Exhibition view, Furiosité, 2015&#38;nbsp;
curator Julie Crenn, Galerie F. Lacroix, Paris

GIULIA ANDREANI, RAPHAEL BARONTINI, MARCS BRUNIER MESTAS, MARCOS CARRASQUER, MARION CHARLET, ERIC CORNE, BÉATRICE CUSSOL, OLIVIER DAQUIN, DAMIEN DEROUBAIX, LÉO DORFNER, NINAR ESBER, VANESSA FANUELE, CAMILLE FISCHER, SYLVAIN GELINOTTE, CÉLINE GUICHARD, ROHAN GRAEFFLY, AURÉLIE DE HEINZELIN, HIPPOLYTE HENTGEN, ALEXANDRA KAWIAK, ELODIE LESOURD, CLAUDE LÉVÊQUE, PASCAL LIÈVRE, SANDRA LORENZI, MYRIAM MECHITA, BÉRÉNICE MERLET, MAËL NOZAHIC, TOM DE PÉKIN, MARINE PENHOUET, ERIC POUGEAU, ARNAUD ROCHARD, LIONEL SABATTÉ, THOMAS SALET &#38;amp; MARTINE RASSINEUX, PIERRE TECTIN, ERWAN VENN, ADRIEN VERMONT, JEAN-LUC VERNA, GRETEL WEYER, BRIGITTE ZIEGER, &#38;nbsp;JÉRÔME ZONDER.©Rebecca Fanuelle




	



	
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		<title>High life, 2016</title>
				
		<link>https://marinepenhouet.com/High-life-2016</link>

		<pubDate>Wed, 18 Jan 2023 16:47:04 +0000</pubDate>

		<dc:creator>Marine Penhouet</dc:creator>

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		<description>&#60;img width="1316" height="952" width_o="1316" height_o="952" data-src="https://freight.cargo.site/t/original/i/35e2cd60b6a58afba5e07e0f927723750cc38ee27c0eeda7c91e10b0a5e88bda/IMG_4244.gif" data-mid="165171001" border="0"  src="https://freight.cargo.site/w/1000/i/35e2cd60b6a58afba5e07e0f927723750cc38ee27c0eeda7c91e10b0a5e88bda/IMG_4244.gif" /&#62;

High life


Graphite et encre sur papier, 43x61cm, 2016Graphite and ink on paper, 43x61cm, 2016











	&#60;img width="1212" height="1724" width_o="1212" height_o="1724" data-src="https://freight.cargo.site/t/original/i/93b0465b4d0a5600bcd35ce42422e87400a822282ea6eddbc25b6ec24f328b5f/Numeriser-17basdef.jpg" data-mid="165171754" border="0"  src="https://freight.cargo.site/w/1000/i/93b0465b4d0a5600bcd35ce42422e87400a822282ea6eddbc25b6ec24f328b5f/Numeriser-17basdef.jpg" /&#62;
	&#60;img width="1201" height="1710" width_o="1201" height_o="1710" data-src="https://freight.cargo.site/t/original/i/4200a2aeb6a9db45ce33c501d23d30ae47b0d8f4df6fc664bbda3e485c378113/Numeriser-20.jpg" data-mid="165171744" border="0"  src="https://freight.cargo.site/w/1000/i/4200a2aeb6a9db45ce33c501d23d30ae47b0d8f4df6fc664bbda3e485c378113/Numeriser-20.jpg" /&#62;
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		<title>The Cure, 2016</title>
				
		<link>https://marinepenhouet.com/The-Cure-2016</link>

		<pubDate>Sun, 08 Jan 2023 19:13:22 +0000</pubDate>

		<dc:creator>Marine Penhouet</dc:creator>

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	&#60;img width="1459" height="1025" width_o="1459" height_o="1025" data-src="https://freight.cargo.site/t/original/i/2d1ac309f7676acc04f8381c5873cab20de75617acaefcf20340f87c41d125b1/IMG_0657.gif" data-mid="164542514" border="0"  src="https://freight.cargo.site/w/1000/i/2d1ac309f7676acc04f8381c5873cab20de75617acaefcf20340f87c41d125b1/IMG_0657.gif" /&#62;


The CureGraphite, encre de chine et latex sur papier, gommettes dorées, 29x42, 2016
Graphite, ink and latex on paper, gold stickers, 29x42, 2016







	&#60;img width="884" height="1185" width_o="884" height_o="1185" data-src="https://freight.cargo.site/t/original/i/61f9afbc136d558a462bca9f2f0095727d5ece498117c80bcb041d08be9ce01b/IMG_3316-2.gif" data-mid="164007770" border="0"  src="https://freight.cargo.site/w/884/i/61f9afbc136d558a462bca9f2f0095727d5ece498117c80bcb041d08be9ce01b/IMG_3316-2.gif" /&#62;
Vue de l’exposition, Promenade sentimentale, 2022
Exibit view, Promenade sentimentale, 2022National Store

	&#60;img width="1373" height="1066" width_o="1373" height_o="1066" data-src="https://freight.cargo.site/t/original/i/6d63b5ccb2c46d887966a5c8b578b9cc8702a074f85f63d6d0ac73d2643bb0ac/IMG_4238.gif" data-mid="164007773" border="0"  src="https://freight.cargo.site/w/1000/i/6d63b5ccb2c46d887966a5c8b578b9cc8702a074f85f63d6d0ac73d2643bb0ac/IMG_4238.gif" /&#62;


	





	
	

	
	

	

	



	

	


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		<title>Mens agitat molem, 2016</title>
				
		<link>https://marinepenhouet.com/Mens-agitat-molem-2016</link>

		<pubDate>Sun, 08 Jan 2023 18:39:07 +0000</pubDate>

		<dc:creator>Marine Penhouet</dc:creator>

		<guid isPermaLink="true">https://marinepenhouet.com/Mens-agitat-molem-2016</guid>

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	&#60;img width="907" height="861" width_o="907" height_o="861" data-src="https://freight.cargo.site/t/original/i/96c82c29129e7800364aa50f39d0e6de744840c77eb59a4da0b0287c4562074a/IMG_2022.gif" data-mid="164005330" border="0" data-scale="100" src="https://freight.cargo.site/w/907/i/96c82c29129e7800364aa50f39d0e6de744840c77eb59a4da0b0287c4562074a/IMG_2022.gif" /&#62;
	


Mens agitat molem 
Acrylique et encre sur bois,&#38;nbsp;10x10cm, 2016
Acrylic and ink on wood, 10x10cm, 2016

	








	

	&#60;img width="1239" height="826" width_o="1239" height_o="826" data-src="https://freight.cargo.site/t/original/i/fb8c8206ef8fff5f2ba6ed6c2901b16ad11028202a5ce6395c67f692f31e4960/IMG_1021.gif" data-mid="164006290" border="0"  src="https://freight.cargo.site/w/1000/i/fb8c8206ef8fff5f2ba6ed6c2901b16ad11028202a5ce6395c67f692f31e4960/IMG_1021.gif" /&#62;
Vue de l’exposition, L’ombre des choses avec Clément Davout, 2019
Exibit view, L’ombre des choses, with Clément Davout, 2019&#38;nbsp;
	&#60;img width="1210" height="908" width_o="1210" height_o="908" data-src="https://freight.cargo.site/t/original/i/efb8c76492b9cc9017d882560aa3857676d42e77c13c16bfc05d4fb8118d0472/IMG_2058.gif" data-mid="164006741" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/efb8c76492b9cc9017d882560aa3857676d42e77c13c16bfc05d4fb8118d0472/IMG_2058.gif" /&#62;
Vue de l’exposition, Promenade sentimentale, 2022
Exibit view,&#38;nbsp;Promenade sentimentale, 2022

	

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		<title>The cure, 2017</title>
				
		<link>https://marinepenhouet.com/The-cure-2017</link>

		<pubDate>Mon, 28 Sep 2020 17:48:08 +0000</pubDate>

		<dc:creator>Marine Penhouet</dc:creator>

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		<description>&#38;nbsp;&#60;img width="3015" height="1858" width_o="3015" height_o="1858" data-src="https://freight.cargo.site/t/original/i/cd1be366649fc870660857501cbabe4be9f58ec6235f5b45d51c0d873094197d/IMG_4247.jpg" data-mid="145613806" border="0"  src="https://freight.cargo.site/w/1000/i/cd1be366649fc870660857501cbabe4be9f58ec6235f5b45d51c0d873094197d/IMG_4247.jpg" /&#62;


	


	
		
		
	
	
		
			
				
					The cureDiptyque, peinture sur bois, objets et céramique, 26x23cm x2, 2017
Diptych, painting on wood, objects and ceramic, 26x23cm x2, 2017

National Store
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		<title>Give me your eyes, 2017</title>
				
		<link>https://marinepenhouet.com/Give-me-your-eyes-2017</link>

		<pubDate>Thu, 11 Feb 2021 14:37:16 +0000</pubDate>

		<dc:creator>Marine Penhouet</dc:creator>

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		<description>Give m
&#60;img width="1837" height="1195" width_o="1837" height_o="1195" data-src="https://freight.cargo.site/t/original/i/9eeae5da68257848dcb1e31c04616e392fb777a010c56b7845ffca20b4b91672/IMG_8603-2.gif" data-mid="164393440" border="0"  src="https://freight.cargo.site/w/1000/i/9eeae5da68257848dcb1e31c04616e392fb777a010c56b7845ffca20b4b91672/IMG_8603-2.gif" /&#62;

Give me your eyesDiptyque, techniques mixtes sur toile et bois, 41x41x4cm x2, 2017Vue d’atelier, 2021
Diptych, mixed media on canvas and wood, 41x41x4cm x2, 2017
Studio view, 2021

National Store



	
&#60;img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/97d1ffc20fb38edeab78d347d8382214e88a2f3f388962d8f9e7694c99e6affd/Give-me-your-eyes-details4.jpg" data-mid="98577169" border="0"  src="https://freight.cargo.site/w/1000/i/97d1ffc20fb38edeab78d347d8382214e88a2f3f388962d8f9e7694c99e6affd/Give-me-your-eyes-details4.jpg" /&#62;
&#60;img width="1301" height="867" width_o="1301" height_o="867" data-src="https://freight.cargo.site/t/original/i/7afcb8547da248134f113640463df58de64d64f8eec6746b18ccbdfed8b8c766/Give-me-your-eyes-details6web.jpg" data-mid="98576588" border="0"  src="https://freight.cargo.site/w/1000/i/7afcb8547da248134f113640463df58de64d64f8eec6746b18ccbdfed8b8c766/Give-me-your-eyes-details6web.jpg" /&#62;
&#60;img width="1382" height="921" width_o="1382" height_o="921" data-src="https://freight.cargo.site/t/original/i/3febf57335660f30922c21de13ce08335d6654e433a217c8ad0b3defa786d3e3/Give-me-your-eyes-details7web.jpg" data-mid="98576587" border="0"  src="https://freight.cargo.site/w/1000/i/3febf57335660f30922c21de13ce08335d6654e433a217c8ad0b3defa786d3e3/Give-me-your-eyes-details7web.jpg" /&#62;



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	<item>
		<title>Don’t, 2018</title>
				
		<link>https://marinepenhouet.com/Don-t-2018</link>

		<pubDate>Thu, 11 Feb 2021 17:18:54 +0000</pubDate>

		<dc:creator>Marine Penhouet</dc:creator>

		<guid isPermaLink="true">https://marinepenhouet.com/Don-t-2018</guid>

		<description>&#60;img width="3888" height="2217" width_o="3888" height_o="2217" data-src="https://freight.cargo.site/t/original/i/2e20e5d51a4403f4124c550f76389783e0ef091cc54a9b826b0635b6b79d029d/IMG_6134web.jpg" data-mid="98588686" border="0"  src="https://freight.cargo.site/w/1000/i/2e20e5d51a4403f4124c550f76389783e0ef091cc54a9b826b0635b6b79d029d/IMG_6134web.jpg" /&#62;Don’tDiptyque techniques mixtes sur bois, 31x43cm x2, 2018

Diptych mixed media on wood, 31x43cm x2, 2018

	&#60;img width="1382" height="921" width_o="1382" height_o="921" data-src="https://freight.cargo.site/t/original/i/03ab5c9d1793ebc6a135ad6477a87910e4948593c5bec2aed737e02809840ef4/IMG_1261web.jpg" data-mid="98588710" border="0"  src="https://freight.cargo.site/w/1000/i/03ab5c9d1793ebc6a135ad6477a87910e4948593c5bec2aed737e02809840ef4/IMG_1261web.jpg" /&#62;&#60;img width="1368" height="909" width_o="1368" height_o="909" data-src="https://freight.cargo.site/t/original/i/b6f58219cb12be869a63f034330008e02aa9191e768bc8590cd03915af11832f/IMG_1265web.jpg" data-mid="98588712" border="0"  src="https://freight.cargo.site/w/1000/i/b6f58219cb12be869a63f034330008e02aa9191e768bc8590cd03915af11832f/IMG_1265web.jpg" /&#62;



	
&#60;img width="1101" height="907" width_o="1101" height_o="907" data-src="https://freight.cargo.site/t/original/i/829afa22bba6427a1e122545d77a86612c621848a6e9c774007e6fd8fe8c4308/IMG_6135web.jpg" data-mid="100506098" border="0"  src="https://freight.cargo.site/w/1000/i/829afa22bba6427a1e122545d77a86612c621848a6e9c774007e6fd8fe8c4308/IMG_6135web.jpg" /&#62;
Vues résidence pop up, 2019
Pop up residency view, 2019
</description>
		
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	<item>
		<title>Give me your eyes, 2018</title>
				
		<link>https://marinepenhouet.com/Give-me-your-eyes-2018</link>

		<pubDate>Tue, 11 Aug 2020 12:55:34 +0000</pubDate>

		<dc:creator>Marine Penhouet</dc:creator>

		<guid isPermaLink="true">https://marinepenhouet.com/Give-me-your-eyes-2018</guid>

		<description>&#60;img width="6048" height="4032" width_o="6048" height_o="4032" data-src="https://freight.cargo.site/t/original/i/cfff26cdd2ac89d02afd7b6e936be0b84fea1544f4fb29428cda6e49426710c2/DSC_6797.jpg" data-mid="80328351" border="0"  src="https://freight.cargo.site/w/1000/i/cfff26cdd2ac89d02afd7b6e936be0b84fea1544f4fb29428cda6e49426710c2/DSC_6797.jpg" /&#62;

Give me your eyes

Peinture sur bois, graphite sur calque et objet, 43x41cm, 2018
Paint on wood, graphite on tracing paper and object, 43x41cm, 2018



	


	&#60;img width="1125" height="889" width_o="1125" height_o="889" data-src="https://freight.cargo.site/t/original/i/4a61432d8eba08243b8a08a521b5150ab5acdfb31d6c8d6e100f9644472430c9/DSC_6790o.jpg" data-mid="127939486" border="0"  src="https://freight.cargo.site/w/1000/i/4a61432d8eba08243b8a08a521b5150ab5acdfb31d6c8d6e100f9644472430c9/DSC_6790o.jpg" /&#62;


A vendre sur/For sale on National Store




	
	
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